Once inside, though, you’ll be seated in a spacious, high-ceilinged, candlelit room with plaster artfully peeling off the walls, where the whole experience will start to unfurl. Have your ID at the ready for a quick scan by the bouncer to sure your name isn't on the “banned list”-the bar's indexed nearly 3,000 “no longer welcome” patrons, who either ignored the rules (no phones, hats, or photos) or tipped poorly. You really have to want to go to Hop Sing: Since there's no phone number, website, or even sign pointing to the space, you'll have to seek out the unmarked, brushed-steel door on Chinatown’s Race Street on your own. Start your tour at the top of the building and wind your way down through the years. The core exhibition walks visitors through the wave of immigration from Europe in the late 19th and early 20th centuries, through World War II, the establishment of Israel, and ends with an Only in America Gallery/Hall of Fame. Starting with the arrival of a small group of Jews in 1654, the museum traces the American Jewish experience through today, telling the story with its collection of 30,000 artifacts. In June, the museum reopened after more than two years with a new name (after shoe designer Stuart Weitzman), and a new OY/YO sculpture by Deborah Kass marking the building’s entrance. But in 2010, Newseum architect Jim Polshek designed a new building that transformed it into a museum on the scale of the Smithsonian, complete with three-and-a-half floors of permanent collections and special exhibits. Established in 1976, the original The Weitzman National Museum of American Jewish History was a small, intimate museum visited largely by the Jewish community.
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